Party for Preservation

This month Dumb Angel noticed a short paragraph by Steve Lopez of The Los Angeles Times that pretty much sums up how we have arrived at our journalistic approach to Los Angeles, the music industry, the film industry and all that goes on here in mainstream circles that we prefer to avoid and circumvent. It’s the same for everything here, so listen close to Lopez:

And standing up to people is what I like about (former NYC Police Chief, now in L.A.) Bratton. We all know by now that Broadway Bill likes to run his mouth, which isn’t a bad thing around here. Los Angeles is corrupt and content, and one reason for it is the unwritten code that calls for polite and cordial relations among local leaders. It’s an old boys’ network, you might say, with one guy covering for the next and expecting the same in return.

We’ll have none of that at Dumb Angel. We spent our first year back in Los Angeles eliminating this backwards “booster” mentality from our work environment . . . we mean people surrounding “the music business” . . . who carry the same kind of mentality that would have you tearing down the Cineramadome and the Capitol Tower. Industry back-watchers are the kind who would go along with the pack and say it’s o.k. to dismantle such area-identifiers and put up a shoddy mixed-use development instead. (Example: how much does the music biz spend to sell bands like Velvet Revolver?)

Today, the Hollywood Palladium, the original CBS radio studio next door where the Byrds, the Monkees and Brian Wilson recorded during the mid- ’60s, and especially 6202 Sunset Boulevard, just East of Vine . . . are all threatened by mixed use developers. The latter building was originally the home of Hollywood’s most glamourous nightclub, Earl Carroll’s Vanities, which became the Moulin Rouge (often headlined by Louis Prima and Keely Smith with Sam Butera & the Witnesses), the Hullabalo (same for Love, the
Yardbirds and Jan & Dean), the Kaleidoscope (the Doors, Big Brother & the Holding Company), the Aquarius Theater (Hair, Zoot Suit) and a bunch of other stuff as the years passed. Someone’s gotta stop this kinda cultural destruction from happening; these are all major landmarks of Los Angeles history.

Therefore, we present photographs of a recent party held by the people who are doing this kind of work. After checking out our February blog on Balboa, it was decided that the birthday party for Chris Nichols, speaker for the Los Angeles Conservancy’s ModCom Division, would be held in the Balboa Fun Zone area. Yes, there was news that the Balboa Fun Zone too would be torn down by developers, but the end result was reasonable; all of the oldest attractions would be staying, and the Maritime Museum they are putting there is basically in the space of a structure that was not a part of the Fun Zone’s early charm. (We are losing, however, a very cool haunted house in the deal). All that said, here are the pictures from the the ModCom birthday party for Chris Nichols this past June, 2006.

DOMENIC PRIORE

“For anybody who grew up in Hollywood, who went to school here, what’s happened to it in the last 25-30 years is heartbreaking. Groucho Marx once said that, you know, ‘all of the places, when they talk about ‘the good old days,’ that what they’re really longing for is their youth. That the hotels were dirty and cold and so forth. What they remember was that they were young’. As a kid, everything looked rosy, but the place was much cleaner, physically and geographically”. — journalist Nick Beck, from from the Morgan Neville film Shotgun Freeway


LESLEY GORE

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