The songs from Blue Ash’s "Around Again" (a 2004 two cd retrospective) will soon be available for collective and individual downloads. Also, over 170 Blue Ash songs that were found in the vaults a few years ago will also be available for the first time anywhere. Some of the titles are "Walls", "I’ll Be Standing By", "Dinner At Mr. Billy’s", "Make It Easy","It’s All In Your Mind", "Look Out Your Window Baby I’m On Your Porch", "Baby Doll", "It’s Alright By Me", "Dangerous! Dynamite!", "You Know My Number", "Freeloader","When I Get You", " If I Were Ever Minus You","Movin’ Right Along","You Really Get To Me",…and dozens of other tunes that have never before been heard by anyone outside of the band members themselves. All of it was written by the Blue Ash songwriting team of Bill "Cupid" Bartolin and Frank Secich. The songs were recorded in Youngstown, Ohio at Peppermint studios between 1972 and 1976. More details will be forthcoming here at "Lost In The Grooves" in the next few weeks.
Lostinthegrooves.com is the online face of the Lost in the Grooves anthology and Scram magazine, the source for downloads and information about the great, neglected artists whose music deserves wider acclaim. Visit our online store to sample and purchase music by Brute Force, Costes, Dream Lake Ukelele Band, The First Team (“Chevrolet Sings of Safe Driving and You”), Fugu, Garland, Gibson Bros, Juviley, The Lipstick Killers, The Orgone Box, Sex Clark 5, Suckdog and John Trubee.
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ABOUT THE BOOK: Pop music history is full of little-known musicians, whose work stands defiantly alone, too quirky, distinctive, or demented to appeal to a mass audience. And even the well-known musicians are frequently misplaced or misunderstood within that pop history. The book Lost in the Grooves: Scram’s Capricious Guide to the Music You Missed explores the nooks and crannies of the pop music world, unearthing lost gems from should-have-been major artists (Sugarpie DeSanto, Judee Sill), revisiting lesser known works by established icons (Marvin Gaye’s post-divorce kissoff album, Here My Dear; The Ramones’ Subterranean Jungle), and spotlighting musicians who simply don’t fit into neat categories (k. mccarty, Exuma). The encyclopedic alphabetical structure throws off strange sparks as disparate genres and eras rub against each other: folk-psych iconoclasts face louche pop crooners; indie rock bumps against eighties soul which jostles proto-punk; outsider artists set their odd masterpieces down next to obscurities from the stars; lo-fi garage rock cuddles up with the French avant-garde; and roots rock weirdoes trip over bubblegum. This book will delight any jukebox junkie or pop culture enthusiast.