Being eight years old in the Toronto suburbs of 1963, I was at the perfect age â€“ and in the perfect place â€“ to, yes, Meet the Beatles. Because by the time â€œthose four youngsters from Liverpoolâ€ hit the Ed Sullivan Show on 9 February 64, my friends and I had already spent the past six months familiarizing ourselves with John, Paul, George and Ringoâ€™s initial A-sides via Ontarioâ€™s mighty 1050 CHUM-AM Radio.
In other words then, the British Beat had no reason to invade Canada. It was invited.
Unlike with our big neighbors to the immediate south you see, each of the Beatlesâ€™ earliest discs garnered automatic release on Capitol Records of Canada, beginning right at the beginning with â€œLove Me Doâ€ in February of â€™63 (the version with Ringo on drums, by the way!), and the Canadian Beatle Discography boasts many other rare slices of vintage vinyl totally unique to the genre, and as a result extremely collectable.
For example, the Canadian Beatlemania! album not only sported an identical cover and track line-up, but was released the very same week With the Beatles was in the UK (making it the first Beatle album released anywhere within North America), and its twelve-inch Capitol Canada follow-up, the Twist and Shout album â€“ # 1 on the Canadian charts for ten weeks in early â€™64 â€“ was in fact the very first â€œbig recordâ€ I ever had the pleasure to have owned.
And what a remarkable record it was: Fourteen action-packed tracks featuring all four â€“ â€œcount â€˜emâ€! â€“ of the bandâ€™s first UK 45 top-sides, plus a generous helping of Cavern-baked covers from their homeland debut album Please Please Me. Being too young then to know, and still too young to care if nary a Beatle wrote each and every note or lyric herein, Carole Kingâ€™s â€œChainsâ€ stacked so easily around Len/Macâ€™s similarly George Harri-sung â€œDo You Want To Know A Secret,â€ Bacharach and Davidâ€™s â€œBaby, Itâ€™s Youâ€ seamlessly followed John and Paulâ€™s â€œP.S. I Love Youâ€ on T & S Side 2, and the magnificent Arthur Alexanderâ€™s â€œAnna (Go to Him),â€ which kicked off this entire collection, continues to this day to hold more than its own against any Beatle composition you or even I could mention.
And while Lennonâ€™s wholly larynx-bursting â€œTwist and Shoutâ€ completed the first Beatle album in Great Britain, the ever-inventive Canadian Capitol chose to close its namesake long-player with none other than â€“ wait for it â€“ â€œShe Loves You.â€ Take that, Sir George Martin! (and tell Dave Dexter, Jr. the news.)
Meanwhile in the seven-inch division, â€œPlease Please Meâ€ actually hit the CFGP Top Forty in Grande Prairie, Alberta in April of â€™63, while two of Capitol Canadaâ€™s most unique couplings, â€œAll My Lovingâ€/â€This Boyâ€ and â€œRoll Over Beethovenâ€/â€Please Mister Postman,â€ sold sufficient (smuggled) copies to reach even the American Hot One Hundred a year later. Also, the U.S. Tollie label â€œTwist and Shoutâ€/â€Thereâ€™s a Placeâ€ 45, which soared to Billboard # 2 in April of 1964, was an identically-formed Canadian Capitol Top Ten much, much earlier.
Plus, may I just add that every single one of the above-mentioned original deep-grooved, meticulously mastered Canadian (mono!) pressings put their U.S. counterparts â€“ not to mention even the latest CD incarnations, truth to tell â€“ to total, unequivocal sonic shame. Really!
The moral of this absolutely Fab story then? Good music IS good music, and shall forever remain so, regardless of the size, format, packaging, advertising budget or even country-of-origin of the item in hand.
And of course, any discussion of Lost Grooves that doesnâ€™t contain multiple uses of the word â€œBeatleâ€ is a discussion I just must immediately bow out from.
P.S., and in closing: Is it only me, or is the Beatles Rock Band animation a tad cheesier than even that of the old Beatles cartoon series?